Fabriclive 64 download free




















Elsewhere you'll hear classic garage, straight-up soul-house, surreal dub, and fusions of all or some of these. Hearing this kind of variety from a single DJ is both a joy and something of a relief. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully. Blues Classical Country. Electronic Folk International. Jazz Latin New Age. Aggressive Bittersweet Druggy. Energetic Happy Hypnotic. Romantic Sad Sentimental. Sexy Trippy All Moods. Drinking Hanging Out In Love.

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My Profile. An expertly selected smattering of bass and dance precedes the refreshingly not-so-deep cut, so the immediate familiarity of a selection so tied to a monoculture feels jarring for anyone not sitting in front of a tracklist. It's an inspired match-up, as well as a pretty good audio-chromatic joke even if Bashmore's been leaning more towards proper house and pop these days. The willingness to extend beyond beat-matching and showing off a personal bounty of unreleased dubplates, to create a narrative and mine unexpected sources, is precisely what's earned Oneman, aka Steve Bishop, the "DJ's DJ" tag from those in the know.

His Recordings label which put out a short run of unbeatable singles in and more or less hasn't been heard from since deals primarily with bass music, and the last few years have seen his name rise within the community as an expert spinner.

So the opening cut of Bishop's Fabriclive mix, the 64th in the famed London club's ongoing series, is a mighty clever selection, as the thickness of Mark Pritchard's "?

The proclamation is hard to miss: You want the bass? Have at it. Of course, mere wit isn't enough-- especially when concerning the visceral pleasures of dance music-- so Fabriclive 64 proceeds to dispel such arch notions, as Bishop stretches his legs and dazzles by weaving cut after choice cut seamlessly. The writeup that accompanies the LuckyMe mix refers to his mixing style as "techno-tight," and indeed what's on display here is nearly seamless, an hour of perfectly stitched-together body music that's so airtight that when the beat drops ever so briefly, on the VIP mix of Grievous Angel's rowdy "Move Down Low", I still check my iTunes to make sure it didn't freeze.

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